In the late 1950s, Davis began experimenting with flamenco, incorporating its complex rhythms and emotional intensity into his jazz compositions. He was particularly drawn to the works of Spanish guitarist Andrés Segovia, who had introduced classical music to the folk traditions of Spain.
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. He didn't want his band—legendary figures like John Coltrane and Cannonball Adderley—to rely on rehearsed licks or comfortable patterns. Instead, he handed them "sketches" of five scales. In the late 1950s, Davis began experimenting with