Rosalind Krauss Reinventing The Medium Pdf Access

However, by the 1960s and 70s, artists began to reject this purism. They embraced the "expanded field," blending performance, video, and text. The orthodox medium seemed to collapse. Many critics proclaimed that the medium was an obsolete concept—a relic of a bourgeois obsession with categorization.

This document provides an overview and analysis of Rosalind Krauss's essay "Reinventing the Medium." The summary is as follows: 1) [PDF] Reinventing the Medium | Semantic Scholar rosalind krauss reinventing the medium pdf

| Theme | How It Appears in the Book | |-------|----------------------------| | | Krauss revisits Clement Greenberg’s idea, arguing that photography now interrogates its own materiality—its surface, light, and mechanical processes—rather than merely representing reality. | | The “Post‑Photographic” | Essays discuss works that blur the line between image and object (e.g., installations, digital manipulations), showing how artists treat the photograph as a site for theory and experience. | | Historical Dialogue | Contributors trace links from early modernist photographers (e.g., László Moholy‑Nagyi) to late‑20th‑century practices, emphasizing continuity and rupture. | | Institutional Critique | The book examines how museums and galleries frame photographic works, questioning the authority of exhibition spaces in defining what counts as “art.” | | Technology & Materiality | Discussions of digital printing, Xerox, and video highlight how new technologies expand the photographic vocabulary. | However, by the 1960s and 70s, artists began

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