Evelina Darling • Plus

The scholarship on mobility in contemporary art frequently cites the works of Hito Steyerl (2011) and Tania Bruguera (2014) as foundational. More recent contributions, such as those by Ananya Roy (2017) and Okwui Enwezor (2020), foreground the ethics of representation in artistic interventions with migrant bodies. Darling’s practice resonates with these concerns yet diverges by emphasizing with participants rather than a singular auteurial gaze (Liao 2020).