In 2005, Marta was twenty-two, just starting university in a city she hardly remembered from childhood summers. Kotiikava sounded like a place she might have known as a child—half home, half rumor. She folded the postcard into her wallet and, between classes, started asking classmates if the name meant anything. Most shrugged. One classmate, Ivan, laughed and said, “Kotiikava—my aunt used to run a small forum with that name. Old-school internet stuff.”
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Lina, whose curiosity was as boundless as the river’s current, showed the photo to her grandfather, a retired railway engineer who had spent his life coaxing life into old locomotives. He recognized the station in the picture—a long‑abandoned depot that had been closed after the war, its tracks overgrown with ivy and its platforms swallowed by moss. In 2005, Marta was twenty-two, just starting university
The story follows Sami, a 17-year-old boy who is admitted to a youth psychiatric hospital following a suicide attempt. Sami is initially introverted and non-communicative, refusing to speak even to his roommate or the orderlies. He carries a physical injury—a broken arm—which serves as a visual metaphor for his internal brokenness. Most shrugged