The evolution of the audience’s behavior during follows a predictable yet horrifying curve—one that mirrors the breakdown of societal norms in the absence of authority.
By 1974, Abramović was already pushing boundaries with her "Rhythm" series, often involving self-mutilation or physical risk. However, Rhythm 0 shifted the agency from the artist to the public. By declaring herself an "object," she essentially hit "delete" on the social contract. marina abramovic rhythm 0
Marina Abramović — Rhythm 0 (1969)