Monella -1998- -

Unlike many erotic dramas of the time, Lola is portrayed as being in total control—assertive, curious, and unapologetically driven by her own desires. The Soundtrack:

True to Brass’s style, Monella is obsessed with . The camera frequently adopts the point of view of a hidden observer (the priest, Masetto, the audience). This invites the viewer to acknowledge their own complicity in the act of looking – a Brechtian distancing effect wrapped in erotic packaging. Monella -1998-