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The father, meanwhile, was often portrayed as oblivious or absent, a passive figurehead. This narrative served a simple function: it reinforced the sacredness of the biological bond and punished any attempt to replace it. Even as late as the 1990s, films like The Parent Trap (1998) framed the future stepmother, Meredith Blake, as a vapid, gold-digging antagonist whose primary crime was simply not being the original mother.