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Jallikattu showed the beast inside the civilized Malayali. Nanpakal Nerathu Mayakkam (2022) explored identity crises along the Tamil Nadu border. Unda (2019) used a unit of bumbling police officers to question the state’s militarized masculinity. And The Great Indian Kitchen (2021) was a feminist bomb that weaponized the mundane: the wet grinding stone, the dirty gas stove, the coffee filter. It argued that Kerala’s “progressive” tag is a lie for the women trapped inside its kitchens. The lush, green landscapes of "God's Own Country"