Of Jennie By Yasushi Rikitake.108 Portable | Portraits

For , the number refers to the layer count. Using a technique he calls kaze-nagashi (wind-flowing), Rikitake would apply oil paint, let it dry for 12 hours, then use a solvent to pull the pigment vertically downward—like rain on a windowpane. Layer 108 was the final "anti-layer." He did not add paint; he removed it.

A descending minor third (Jennie’s “theme”) appears throughout, transformed from gentle to dramatic. Portraits Of Jennie By Yasushi Rikitake.108

The series features various models, often around the age of 15 during the time of shooting, including figures like Akiho Iino, Yuki Kiyohara, and Yuko Miho. Each "portrait" serves as a character study, stripping away elaborate costumes to focus on the model's natural features. Cultural and Artistic Context For , the number refers to the layer count

: In Buddhist tradition, 108 is a sacred number representing the number of earthly temptations or "defilements" ( Bonno ) humans must overcome. Rikitake's use of "108" in his work title or series numbering often alludes to this concept of worldly desires and the pursuit of spiritual or artistic purity within a highly provocative subject matter. Legacy and Significance Cultural and Artistic Context : In Buddhist tradition,

If you are searching for , you will find it on select digital art archives, private gallery servers, and very rarely, in high-end projection installations. Do not look at it on a phone. The .108 iteration requires darkness and size. Purists recommend:

Below is a complete, ready-to-use post designed for art collectors, photography enthusiasts, and vintage publication curators.

Yasushi Rikitake curated this series to showcase what he considered his most artistic and aesthetically refined work. It serves as a comprehensive retrospective of his career's focus on portraiture. Scale and Scope: