The most interesting part of the story isn't the code—it’s the business model.
Traditionally, motion designers struggle with: aescripts workflower exclusive
If you have ever opened an After Effects project from a colleague (or even yourself from six months ago) and felt a wave of panic looking at 300 unnamed layers scattered across 15 pre-comps, you know the struggle. After Effects is a powerful compositing tool, but as a project manager ? It has historically been a nightmare. The most interesting part of the story isn't